{"id":12502,"date":"2017-07-28T11:24:09","date_gmt":"2017-07-28T09:24:09","guid":{"rendered":"http:\/\/www.rigaiff.lv\/2017\/?p=12502"},"modified":"2017-09-08T12:36:38","modified_gmt":"2017-09-08T10:36:38","slug":"deju-laikmets","status":"publish","type":"post","link":"https:\/\/2017.rigaiff.lv\/lv\/deju-laikmets\/","title":{"rendered":"DEJU LAIKMETS"},"content":{"rendered":"

Asto\u0146desmito gadu otraj\u0101 pus\u0113 pasauli elektriz\u0113ja ne vien Aukst\u0101 kara spriedze, ne vien Berl\u012bnes m\u016bra kri\u0161ana, bet ar\u012b kaut kas jauns un satrauco\u0161s, kas veidoj\u0101s Rietumos plauksto\u0161ajai elektronisk\u0101s deju m\u016bzikas kult\u016brai satiekot aiz “dzelzs priek\u0161kara” m\u012bto\u0161o avangardu. \u0160\u0137iet gandr\u012bz vai neticami, ka kult\u016bras apv\u0113rsuma, kuru toreiz Latvija piedz\u012bvoja, arhitekts liel\u0101 m\u0113r\u0101 ir viens cilv\u0113ks \u2013 Indulis Bilz\u0113ns. Neticami ar\u012b, ka \u0161is st\u0101sts l\u012bdz \u0161im nav ticis dokument\u0101listu izgaismots. <\/b><\/p>\n

RIGA IFF pirmizr\u0101di Latvij\u0101 beidzot pieredz\u0113s ilgus gadus tapu\u0161ais starptautiskaj\u0101 mediju telp\u0101 un deju m\u016bzikas kult\u016br\u0101 pieredz\u0113ju\u0161\u0101 \u017eurn\u0101lista Viktora Budas projekts “Deju laikmets”. Kop\u0101 ar filmas galveno operatoru un mont\u0101\u017eas re\u017eisoru Ritvaru Bluku vi\u0146i pie dokument\u0101l\u0101s filmas str\u0101d\u0101ju\u0161i jau vair\u0101k k\u0101 4 gadus, materi\u0101la mekl\u0113jumos, ce\u013cojot uz Maskavu, P\u0113terburgu, Berl\u012bni, Frankfurti, \u0136elni, Amsterdamu un Londonu.<\/b><\/p>\n

V\u0101cijas latvie\u0161a, multimediju m\u0101kslinieka Indu\u013ca Bilz\u0113na v\u0101rds pla\u0161\u0101kai publikai l\u012bdz \u0161im bijis nezin\u0101ms, ta\u010du tie\u0161i vi\u0146\u0161 \u2013 v\u0113l pirms notika dramatisk\u0101s politsk\u0101s p\u0101rmai\u0146as \u2013 Latvij\u0101 pan\u0101ca kultur\u0101las p\u0101rmai\u0146as, kas joproj\u0101m ietekm\u0113 Latvijas urb\u0101n\u0101s kult\u016brtelpas \u012bpa\u0161o str\u0101vojumu. Film\u0101 \u0161is st\u0101sts izpau\u017eas k\u0101 r\u016bp\u012bgi izv\u0113l\u0113tos arh\u012bvu materi\u0101los, t\u0101 ar\u012b v\u0113sturiskos notikumus pieredz\u0113ju\u0161o st\u0101stos un viedok\u013cos. Laikmeta liecinieki, kuri film\u0101 dal\u0101s ar savu pieredzi, ir ne tikai pats Indulis Bilz\u0113ns, bet ar\u012b V\u0101cijas reivu kult\u016bras pionieris Masimilians Lencs, kur\u0161 vis\u0101 pasaul\u0113 paz\u012bstams ar skatuves v\u0101rdu Westbam, Roberts Gobzi\u0146\u0161, vi\u0146\u0161 \u2013 ar\u012b Eastbam, iev\u0113rojamais kult\u016bras p\u0113tnieks un m\u016bzikas kriti\u0137is Art\u0113mijs Troickis, ar\u012b Latvijai unik\u0101l\u0101s len\u0161u magnetafonu did\u017eejo\u0161anas izgudrot\u0101ji J\u0101nis Krauklis un U\u0123is Polis, le\u0123end\u0101rais Detroit\u0101 dzimu\u0161\u0101 elektronisk\u0101s deju m\u016bzikas \u017eanra “tehno” pionieris Deriks Mejs, un daudzi citi. <\/span><\/p>\n

Filma ir Latvijas un Krievijas kopprodukcija, kura tapusi Reflexion Films pasp\u0101rn\u0113, sadarb\u012bb\u0101 ar Kosmos Films un VFS Films.<\/span><\/p>\n

!!! BI\u013bETES UZ \u0160O FESTIV\u0100LA \u012aPA\u0160O SEANSU IEROBE\u017dOT\u0100 SKAIT\u0100 !!!<\/b><\/p>\n

Pirmizr\u0101d\u0113 festiv\u0101l\u0101 piedal\u012bsies ne vien filmas veidot\u0101ji, R\u012bg\u0101 viesosies ar\u012b filmas varo\u0146i \u2013<\/span> Indulis Bilz\u0113ns<\/b>, <\/span>Art\u0113mijs Troickis<\/b> un <\/span>Maksimilians Lencs<\/b>. <\/span><\/p>\n

\"\"<\/a>
\nFilmas pirmizr\u0101di Latvij\u0101 atbalsta G\u0113tes instit\u016bts R\u012bg\u0101<\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"

During the other half of the eighties the world was electrified. Not just by the power shifts of the Cold War, not just because the Berlin Wall fell, also because something new and exciting was emerging when the blossoming electronic dance music culture of the West met the avant-garde that was lurking behind the Iron Curtain of the East. It’s incredible that the huge cultural upheaval Latvia experienced during that time had mainly a sole architect \u2013 Indulis Bilz\u0113ns. It’s no less incredible that this story has not until now been covered by documentary film-makers.<\/p>\n","protected":false},"author":1,"featured_media":12504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,188],"tags":[77,118,112],"_links":{"self":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/12502"}],"collection":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/comments?post=12502"}],"version-history":[{"count":6,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/12502\/revisions"}],"predecessor-version":[{"id":14297,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/12502\/revisions\/14297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media\/12504"}],"wp:attachment":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media?parent=12502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/categories?post=12502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/tags?post=12502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}