{"id":14080,"date":"2017-09-03T09:38:00","date_gmt":"2017-09-03T07:38:00","guid":{"rendered":"http:\/\/www.rigaiff.lv\/2017\/?p=14080"},"modified":"2017-09-08T10:38:16","modified_gmt":"2017-09-08T08:38:16","slug":"riga-iff-forum-eiropas-bernu-kino-projektu-prezentaciju-sesija-prezentacija-latvijas-kino-2017","status":"publish","type":"post","link":"https:\/\/2017.rigaiff.lv\/lv\/riga-iff-forum-eiropas-bernu-kino-projektu-prezentaciju-sesija-prezentacija-latvijas-kino-2017\/","title":{"rendered":"RIGA IFF FORUM EIROPAS B\u0112RNU KINO PROJEKTU PREZENT\u0100CIJU SESIJA  PREZENT\u0100CIJA: LATVIJAS KINO 2017"},"content":{"rendered":"<p>Eiropas b\u0113rnu kino veiksm\u012bgi &#8220;ce\u013co&#8221; pa festiv\u0101liem un nozares pas\u0101kumiem, ta\u010du tikai neliels daudzums no film\u0101m non\u0101k kinote\u0101tru repertu\u0101r\u0101, nesp\u0113jot konkur\u0113t ar Holivudas studiju lieldarbiem. \u0160is aspekts, k\u0101 ar\u012b kino pieejam\u012bba cit\u0101s platform\u0101s, ne tikai kinote\u0101tros, apdraud Eiropas kino nozares att\u012bst\u012bbu un veiksm\u012bgu past\u0101v\u0113\u0161anu. L\u012bdz ar to jaut\u0101jums par to, k\u0101 pamudin\u0101t skat\u012bt\u0101ju apmekl\u0113t Eiropas kino k\u013c\u016bst arvien aktu\u0101l\u0101ks.<\/p>\n<p>Tai pat laik\u0101 arvien liel\u0101ku uzman\u012bbu piesaista jaun\u0101s digit\u0101l\u0101s tehnolo\u0123ijas, k\u0101 piem\u0113ram, digit\u0101l\u0101 un papildin\u0101t\u0101 realit\u0101te. T\u0101 k\u0101 \u0161ie jaunie mediji \u0161obr\u012bd ir satura mekl\u0113jumos, pane\u013cdiskusijas gait\u0101 l\u016bkosim rast atbildes uz jaut\u0101jumu, vai kino pasaules un jauno tehnolo\u0123iju ir savienojamas. Un, vai \u0161\u012b savien\u012bba b\u016btu sekm\u012bga kino populariz\u0113\u0161an\u0101.<\/p>\n<p>Sarun\u0101 piedal\u012bsies Ain\u0101rs K\u013cavi\u0146\u0161 no digit\u0101l\u0101s a\u0123ent\u016bras Overly, Tartu universit\u0101tes p\u0113tnieks Madis Vasser, k\u0101 ar\u012b TASSE FILM producente Aija Berzina, filmu p\u0101rdo\u0161anas a\u0123ente Silke Wilfinger no V\u0101cijas komp\u0101nijas Silkway films, k\u0101 ar\u012b ACME Film Latvija p\u0101rst\u0101ve Inese Apse. Sarunu moder\u0113s kino \u017eurn\u0101liste un festiv\u0101la kuratore Kristine Simsone.<\/p>\n<p>Saruna norisin\u0101sies ang\u013cu valod\u0101 un b\u016bs skat\u0101ma ar\u012b LSM tie\u0161raid\u0113.<\/p>","protected":false},"excerpt":{"rendered":"<p>Eiropas b\u0113rnu kino veiksm\u012bgi &#8220;ce\u013co&#8221; pa festiv\u0101liem un nozares pas\u0101kumiem, ta\u010du tikai neliels daudzums no film\u0101m non\u0101k kinote\u0101tru repertu\u0101r\u0101, nesp\u0113jot konkur\u0113t ar Holivudas studiju lieldarbiem. \u0160is aspekts, k\u0101 ar\u012b kino pieejam\u012bba cit\u0101s platform\u0101s, ne tikai kinote\u0101tros, apdraud Eiropas kino nozares att\u012bst\u012bbu un veiksm\u012bgu past\u0101v\u0113\u0161anu. L\u012bdz ar to jaut\u0101jums par to, k\u0101 pamudin\u0101t skat\u012bt\u0101ju apmekl\u0113t Eiropas kino k\u013c\u016bst arvien aktu\u0101l\u0101ks. Tai pat laik\u0101 arvien liel\u0101ku uzman\u012bbu piesaista jaun\u0101s digit\u0101l\u0101s tehnolo\u0123ijas, k\u0101 piem\u0113ram, digit\u0101l\u0101 un papildin\u0101t\u0101 realit\u0101te. T\u0101 k\u0101 \u0161ie jaunie mediji \u0161obr\u012bd ir satura mekl\u0113jumos, pane\u013cdiskusijas gait\u0101 l\u016bkosim rast atbildes uz jaut\u0101jumu, vai kino pasaules un jauno tehnolo\u0123iju ir savienojamas. Un, vai \u0161\u012b savien\u012bba b\u016btu sekm\u012bga kino populariz\u0113\u0161an\u0101. Sarun\u0101 piedal\u012bsies Ain\u0101rs K\u013cavi\u0146\u0161 no digit\u0101l\u0101s a\u0123ent\u016bras Overly, Tartu universit\u0101tes p\u0113tnieks Madis Vasser, k\u0101 ar\u012b TASSE FILM producente Aija Berzina, filmu p\u0101rdo\u0161anas a\u0123ente Silke Wilfinger no V\u0101cijas komp\u0101nijas Silkway films, k\u0101 ar\u012b ACME Film Latvija p\u0101rst\u0101ve Inese Apse. Sarunu moder\u0113s kino \u017eurn\u0101liste un festiv\u0101la kuratore Kristine Simsone. Saruna norisin\u0101sies ang\u013cu valod\u0101 un b\u016bs skat\u0101ma ar\u012b LSM tie\u0161raid\u0113.<\/p>\n","protected":false},"author":1,"featured_media":14081,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/14080"}],"collection":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/comments?post=14080"}],"version-history":[{"count":6,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/14080\/revisions"}],"predecessor-version":[{"id":14278,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/14080\/revisions\/14278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media\/14081"}],"wp:attachment":[{"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media?parent=14080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/categories?post=14080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2017.rigaiff.lv\/lv\/wp-json\/wp\/v2\/tags?post=14080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}